Inside the Fortress of Solitude

The main thing I will miss when we move to our new house is having a loft.

Casa Sicily is built on three stories – with a bedroom, bathroom and small “store” on the top floor inside the roof. This, it seems, is a fairly common trick developers use these days to build bigger, more expensive houses on a smaller “footprint” of land.

As we prepare to move next month, I have been spending a bit of time in the loft digging through strata of junk like a geologist of our lives. The deeper I go, the older the stuff I find and (in general) the less Elvira or I remember ever having owned it. I confidently expect to find a fully-preserved dinosaur skeleton right at the back.

Or if not a dinosaur then a rat.

I never mentioned the rat on here, did I?

No, too bloody right I didn’t. I was trying to sell a house – I’m not a complete idiot.

Last winter, we got a rat. How did we know it was a rat and not a mouse? Well, considering their respective body sizes, no mouse could have survived pooing out what we discovered in the loft.

And unfortunately also in the kitchen, where it chewed through the top of a cupboard to nibble on the contents of the fruitbowl and boxes of breakfast cereal.

So we got the council ratcatcher in, who left little boxes of poison around, which the rat studiously ignored to continue on his merry destructive way. Every so often we’d hear him scuttling about in the ceiling.

Eventually, we got rid of him by pure dumb luck – the ratcatcher pointed out some holes in the exterior of the house whereby it appeared to have been getting in. I poured a load of gravel down one of them, and we never heard it again. Thankfully, it seems I trapped it outside rather than inside.

We did have a mouse die up there once. It liquefied and seeped through Roger Jr’s bedroom ceiling. I scraped it off while standing on my head then painted over it. 

But as I now clear out the loft, digging my way through the “rat shit era” back to happier times, I come to feel a great sadness that our new house won’t have such a manly fortress of solitude above it.

Yes, while the other Sicilies have all stuck their heads up into the loft (Elvira, I should point out, refers to it as a “false roof” – which gives makes it seem much more secretive than it really is), I am the only one who has ever made the desperate scramble from the top of the ladder through the hatch. It is my domain.

In practice, that means there are areas of intense orderliness alongside – and frequently beneath – regions of chaos. It is as good a map of my brain as you are likely to find without actually vivisecting me.

However, what I will miss most is the incredible physical workout a trip into the loft provides.

1. During the summer, it is insanely hot. Sauna hot – and the atmosphere of fibreglass and wood dust stirred up by moving anything is wonderfully exfoliating.
2. While you are up there, getting around involves some of the most demanding Pilates-style gymnastics I have ever had to perform. Diagonal wooden beams, unboarded floors, water pipes and two – yes two – TV aerials force one to manoeuvre with the deliberation, care and prehensile feet of a Slow Loris. Otherwise, you end up taking a heavy blow to the head or spine or impaling yourself in a location where nobody else can get to you.
3. Taking all this into consideration, attempting to extract heavy boxes and other articles between these obstacles without falling through the ceiling – and then to lower them down onto the landing without flattening the inevitable toddler mucking around with the ladder below – is a feat that never fails to reduce me to a state of total physical exhaustion.

Yes, I will miss the loft. But I will have a garage instead...

Fifty Shades of Beige

When I was a boy, every other weekend – or so it felt – my family would spend a rainy Sunday afternoon wandering around a carpet showroom.

To this day, a row of majestic, towering rolled-up offcuts has the power to overawe me; the heady perfume of formaldehyde to set my hippocampus jangling; the electrostatically-charged atmosphere generated by opposingly-polarised artificial fibres to ... well, you get the picture.

The thing about childhood memories is that as soon as you start bringing them up in front of other people who were actually there, you generally discover that they were completely false.

So whether we actually went to Kingsbury Carpets quite as often as it felt we went or not, carpets en masse send me right back to the state of a bored child chasing my brother up and down the aisles, hiding in between vast swathes of Axminster ... and off I go again.

We, the Sicilies, are still in the midst of buying our new house. We are waiting for it to be finished and hope to move in next month.

A word of advice – when considering the choice between a new build and a used/second hand/pre-owned house (delete to taste), bear in mind that for all their upsides, new builds generally don’t come with floor coverings. So unless you like the feel of bare concrete underfoot – perhaps you are going for “Gaza Strip” decor? – you are going to have to invest in carpet.

A lot of carpet.

In our case, as it turns out, several thousand pounds-worth of carpet.

Now, as a pedant of the first order, I have always had trouble using the suffix “-worth” as a synonym for “cost” or “priced at”. That seems to me to be at best a lazy and at worst sinister conflation of the ideas of value and price. I’ve bought carpet (and vinyl – itself apparently an upmarket synonym for “lino” these days) that cost thousands of pounds, but as to whether it was “worth” it, only time will tell.

And let me tell you, carpet: I am going to be subjecting you to some pretty exacting standards when I think about the other things I could have done with that money.

Back when I was a boy, the carpet warehouse seemed a veritable kaleidoscope of colour and texture. Indeed, in history, carpets were status symbols and ways for rulers to display their magnificence.  

And yet in our shrunken world, we are reduced to the choice between the titular fifty shades of beige. Yes, I bet you were expecting more sex and less carpet when you saw that headline, weren't you?

How can anyone reasonably choose between carpets that look and feel identical? When you can see two indistinguishable carpets “worth” £8 per square metre and £30 per square metre?

OK, I can just about grasp the difference between wool and synthetics, between pile lengths, between looped and ... um... the other kind. But how can anyone choose between so many options that are so similar?

The man in the carpet shop explained to Elvira and I that, in these economically depressed times, manufacturers have to play safe. If they produce anything too out of the ordinary, they risk being stuck with a load of stock they can’t shift and thence going out of business. And that competitive pressure actually drives them all to reduce choice and produce endless tiny variants of the same few basic designs.

An interesting lesson in unfettered competition leading to market failure, don’t you think? If I want a purple carpet with green stripes in it, I SIMPLY CAN’T GET ONE BECAUSE NOBODY MAKES THEM.

And underlay! Don’t talk to me about underlay! “The silent killer” it should be called, because as soon as you think you have a vague idea how much carpeting a room is going to cost – ah! – don’t forget that you need underlay, which itself can cost as much as the carpet. Bloody underlay.

So after a painstaking selection process (more painstaking on Elvira’s part, I should add – my role was largely restricted to saying “yes, THAT one”) we duly settled upon our limestone 521s, our 7B minks and 1866 soft biscuits.

In the bathroom though we went KERRRAYZEEE though: we’re getting “liquorice and bubblegum” striped lino. Studies from prisons show that if we lock tantrumming kids in the bathroom with that on the floor, they’ll calm down in no time. Or have a seizure. The results were inconclusive. 

Alexander Thorpe: the smuggest-looking man in carpeting

Boris the Baptist

As you could tell from the London Olympic opening ceremony, we now have a post-modern public culture. We are ironical, eclectic, genre-subverting, fusion-cooking, mixing up Chelsea Pensioners and lesbian kisses. We are high-brow and low-brow at the same time. The only politician who ‘gets’ any of this is Boris. He can mix Virgil and James Bond, a posh accent and street cred, conservative politics and a liberal spirit. Mr Cameron is the moderniser, but Boris is the post-moderniser.

So sayeth Charles Moore in the Telegraph this weekend.

There are many people who understand post-modernism better than me; people who have written whole books about it. And to them I say “Big Mac and fries please”. HA HA.

Whatever it means, Moore is right. For example, the generation which includes the prime minister has its idea of the 1980s defined as much by Five Star as by Margaret Thatcher, and as much by Five Star being called “fucking crap” on Going Live as by System Addict.

And every generation younger than that is similarly drenched in post-modern irony.

We are barely able to take listen to someone making a political or moral argument without writing them off as a fanatic or a hypocrite because relativism has become such a thoroughly ingrained habit.

Can you take seriously someone who sets themselves up as infallible, motivated only by noble desires, dedicated to nothing but public service and bettering the lot of their fellow men?

No, me neither. I am too silly, too overwhelmed by schadenfreude, too lazy – too post-modern – to regard that kind of a template for a human being with anything other than contempt.

Celebrities, on the other hand, are human - all too human.

So along comes Boris, the celebrity politician, and he is literally able to have a crowd of thousands chanting his name, surrounded by flags and flames – like the 20^th Century NEVER HAPPENED!

If everyone didn’t think Boris wasn’t serious, that would have been terrifying. So what was is he?

Boris Johnson is not a “one-off” or someone to whom the political rulebook doesn’t apply - he is a mutated virus. Along with Louise Mensch, he is the prototype of the next generation of celebrity politicians - he's John the Baptist for whatever kind of Jesus is coming next. By approaching us as celebrities, they are penetrating the defences we have put up against “politicians”.

They are reframing the terms of political discourse. The political parties are surely watching their apparently unique charisma at work and attempting to work out how to bottle it and routinise it. The question is, when the medium changes, what messages will we suddenly become susceptible to all over again?

London – Not as bad as expected

A few weeks ago, I scoffed at the thought of going to London during the Olympics. And right now, I am on my way home after having done so.

Like most people whose sole window on reality is what they see on TV and read on the internet, I had expected something resembling all-day Tokyo rush hour supervised by the Army with corporate blackshirts snatching anyone who looked out of place through secret doors - an early glimpse of the UK’s inevitable descent into dystopian, totalitarian nightmare.  

However, it wasn’t like that at all. It was much like any other day in London. That’s not saying much, but it certainly wasn’t 1984.

To tell the truth, I was a little disappointed not to see a single missile launcher or have to dive out of the way of a speeding dignitary in a Zil Lane. Indeed, the number of people in tracksuits I saw was no higher than a typical day’s viewing in Leeds.

I even saw a little shop with a set of Olympic rings in the window. I took a picture – no doubt scaring the shit out of the owner, taking me for a LOCOG goon – but I thought twice about sticking it on here. Let it never be said that Oh Dear. How Sad. Never Mind. is a snitch. Bloggers and social media are already doing more than their fair share of turning the whole populace against the idea of freedom of speech.

Well, here’s my own little marketing ambush:

If you like the London 2012 Olympic Games, give me some of your money.

If you don’t hear from me again, assume I have been disappeared into the back of a migraine-inducing purple van.

From my experience today - apart from the splashes of lurid magenta besmeared across everything -  you could be forgiven for thinking that the whole event was actually being produced on a sound stage at Pinewood or in Pixar’s studios and that the entire idea of the Olympics actually “taking place” in London was some elaborate Baudrillardian joke.

While controversy surrounding the Games has focused on the cost and the restrictions on Londoners’ freedoms, for me there are some major issues that have not been given due attention:

1. Barbarians are allowed to take part – this is in clear breach of the Olympic spirit. Was their Greek even tested?

2. Competitors are also not naked

3. Total lack of chariot-based events

4. No oxen were sacrificed at all during the opening ceremony. Like myself, the gods are likely to have found Trevor Nelson’s commentary a poor substitute

Seriously LOCOG, Zeus is a volatile deity at the best of times. 

He has “enforcement officers” of his own, and I’d hate to see Paul McCartney get struck by lightning.