- Not being killed or formally enslaved
- A vicarious sense of being part of the biggest and best power in the world – much like the World Cup today
Great Britain has lost an Empire and has not yet found a role.
Great Britain has lost an Empire and has not yet found a role.
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| He is perfectly capable of not pulling this stupid face |
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| This is what I KNOW about Ukraine |

Apparently, the UK's Eurovision entry – former second-tier boyband Blue – will do a naked photoshoot for the Daily Star if they win Saturday's competition.
There are a couple of small flaws in this strategy for victory.
Firstly, the Daily Star is read almost exclusively by white van men and prisoners, who are characteristically neither likely to be Eurovision fans nor to wish to see pictures of naked men in their 30s.
Secondly, unless ABC figures are wildly off, the Daily Star is little read in the 44 OTHER EBU member states, whose citizens are the only ones actually entitled to vote for the British entry.
No matter how popular the reformed Blue might in the UK – I use the word "reformed" in the same sense as food packaging companies use it to refer to their cheaper meat products – and no matter how tantalising the prospect of seeing pictures of them holding a Union Flag across their collective naughty bits in a newspaper for people who can't understand the long words they use in The Sun, we can't vote for them.
Still, no matter what you think about Blue, they are considerably less pathetic than Ireland's entry.
Presumably operating on the Father Ted principle (Ireland having no money at all left with which to put on next year's debacle), Ireland has put forward subnormal teenage fantasists Jedward.
As a slight aside, the only thing that was ever funny about these two has been sacrificed in calling them "Jedward" – that is, the way they introduced themselves by saying "I'm John; and I'm Edward; and together we are John and Edward".
Hopefully, they will be eliminated in Thursday's "semi final" (for anyone who has not watched Eurovision for a few years, this is a new process by which they eliminate the shit songs from small or poor countries, so that only the best go through to compete against the shit songs from large or rich countries).
So, buoyed up by my triumphant efforts at encouraging everyone to vote for AV, I urge all ODHSNM readers to vote for Albania's Aurela Gaçe (pictured) – not just because the song is bonkers in true Eurovision style, but also because there is an eagle in the video, and eagles are AWESOME.
Plus if Albania wins, Terry Wogan will probably have a stroke.

May 14th is Eurovision time! And while we wait for all the election and referendum results to come in from May 5th's contests, let's consider a different competition decided by a manifestly unfair voting system in which the only guarantee is that Britain will come out as the loser.
The UK pretends to not take Eurovision seriously, but in fact I would say that it takes it far more seriously than the rest of Eurovision-land.
I can't imagine that many other nations are outraged year in, year out by their failure to win – despite entering bollocks like Scooch, Daz Sampson and Jemini. The latter, lest we forget, were totally out of tune on the night and wholeheartedly deserved their nul points.
The British mistakenly believe that pop music created in the UK is inherently superior to anything produced on the continent – indeed, that pop music from elsewhere in Europe is inherently ridiculous.
Not only is it ridiculous, but the silly foreigners are completely unaware of their ridiculousness. So while we are simply being ironic when our entries are rubbish (because we don't care if we win, because the whole thing is a fix anyway), they have no idea how stupid they look.
Really? Was Lordi's winning 2006 entry from Finland delivered entirely without a tongue in cheek? Was Dana International 's 1998 transsexual hit "Diva" a seriously considered attempt to represent Israel to the world?
For god's sake – Terry Wogan spent most of his career taking the piss out of silly foreigners' Eurovision entries, and then huffed and puffed his way out of the commentary job complaining that they had the temerity to vote for one another instead of us. Leaving us, might I add, with Graham Norton.
While there may indeed be an element of truth in the idea that other countries don't vote for the British entry for non-musical reasons, I think it's less likely that it's about the government's support for war in Iraq than it is because they – like everyone – love to see someone who's over competitive shown right up.