I Was A Teenage Dungeon Master

A few blogs ago I referred to my shady past as a role playing games fanatic. I feel that it is now sufficiently far in the past that I can speak out about it.

Sufficiently far in the past and – I should add – sufficiently rehabilitated.

The world has come on a long way from believing that Dungeons and Dragons promoted Satanism – see Tom Hanks’ 1982 movie debut “Mazes and Monsters” for details.

It has even made it through the assumption that anybody who engages in such activities is a sad, lonely spree-killer in waiting who will never have sex with a human partner – thanks in large part to the triumph over the nerds over popular culture. The internet and video games have, in some way, made my wasted adolescence acceptable – nay, even avant-garde – in glorious retrospect.

Now, the weekends my friends and I squandered pretending to be wizards – in our own heads, FFS – or moving little lead men around bedroom floors in completely heavily carpet-distorted “battles” is deemed evidence of our “old skool” credentials rather than of our blatant social ineptitude and weirdness. 

Hell, we were in it long before every town had a Games Workshop. We had to get to Nottingham if we wanted goblins to paint.

I could have spent those five or six years learning something useful. Like how to speak to girls. Or how to enjoy physical exercise.

Or becoming an expert in anything – ANYTHING – other than the fighting statistics of imaginary monsters or lists of magic spells.

So I am not celebrating any après-la-lettre cultural vindication. Even if it's ok to like dragons now thanks to Game of Thrones, it was certainly NOT ok to like dragons back in the early 1990s. 

I still regard that period of my life as a very poor use of my finite lifetime. That’s not to say I didn’t have fun – I just had no appreciation of what other kinds of fun were out there.

Anyway, back to the title of the blog. Unless you were playing D&D – or rather Advanced D&D, because D&D was for thickos – the referee was a gamesmaster. I ran our group’s AD&D campaign though, so I was – formally – the dungeon master.

At the time, that was not a funny name to us. It denoted this guy:

Not this guy:

Being the dungeon master meant that I had to come up with the stories and challenges and whatnot, while my friends played characters in the world I had dreamed up – barbarians, clerics, assassins etc.

In retrospect, I can’t figure out why we just kept buying more and more of these different games – so as to play the same basic “swords and sorcery” scenario under yet another set of rules.

It’s always swords: anything involving guns had to confront the problem that getting shot usually results in swift death (or at best, immediate incapacitation) no matter how many experience points you have.

That’s why sci-fi is best suited to wargaming rather than role playing – because it doesn’t immediately mean you have to go home (or outdoors) if your little space marines or chaos squats in exo armour die in droves.

At least I got out in good time, thanks to the greater attractions offered by underage drinking and paid employment. It’s a slippery slope – one day you’re a teenage dungeon master, the next you’re a middle-aged English Civil War re-enactor. 

Reading Homer

Homer, not Uncle Albert

In my last post, I referred to “the child of morning, rosy-fingered dawn”. Some of you may be surprised to hear that I didn’t make that phrase up.

It is, in fact, an epithet used repeatedly by the Greek poet Homer in The Iliad and The Odyssey.

Pretty much every time he mentions the dawn - which is a lot – it’s waggling its rosy fingers.

Anyway, these books are kind of a big deal. They are, I hear, a central part of the Western literary canon.

And as we all know, the Iliad tells the story of the Trojan war and the Odyssey tells the story of Ulysses’ (the translations I read were all Romanised) return from Troy.

Or do they?

In fact, the Iliad tells a very small part of the Trojan war. It doesn’t include:

Just good ol' war buddies

1. The beginning
2. The end
3. The bit everyone knows with the Trojan Horse

Essentially, it tells the story of Achilles acting like a dick because Agamemnon acted like a dick, until his boyfriend Patroclus gets killed and then Achilles kills everyone.

Not included, again, is the bit about Achilles getting killed by tearing a ligament or whatever.

In fact, what we primarily have is to pad out the above is:

• Exhaustive descriptions of various Greeks’ and Trojans’ ancestry;
• Followed more or less immediately by exhaustive descriptions of how those sorry descendents died horribly.

If I learned one thing from the Iliad, it is that there are far more ways to fuck someone up badly with a spear than I had ever imagined.

For example:

The spear struck Archelochus, son of Antenor, for heaven counselled his destruction; it struck him where the head springs from the neck at the top joint of the spine, and severed both the tendons at the back of the head. His head, mouth, and nostrils reached the ground long before his legs and knees could do so.

Thereon Polypoetes, mighty son of Pirithous, hit Damasus with a spear upon his cheek-pieced helmet. The helmet did not protect him, for the point of the spear went through it, and broke the bone, so that the brain inside was scattered about, and he died fighting.

Menelaus hit Pisander as he was coming towards him, on the forehead, just at the rise of his nose; the bones cracked and his two gore-bedrabbled eyes fell by his feet in the dust.

And so on.

So that’s the Iliad. Think you know the Odyssey?

Think again. Far from focusing on the well-known, exciting parts of Ulysses’ voyages (eg encounters with the Cyclops, sailing between Scylla and Charybdis, lashing himself to the mast to listen to the Sirens), these are all dealt with in one flashback.

About 70% of the Odyssey is taken up with the frankly rather weird situation going on with his wife Penelope and 115 “suitors” who have been having a three-year long bender round at Ulysses’ in his absence.

So an awful lot of the Odyssey concerns not, in fact, what you and I might call “an odyssey” – but rather:

1. Ulysses pretending to be an aged tramp and talking to a pig herder
2. Ulysses pretending to be an aged tramp hanging around the party, getting abused (someone throws a hoof at him!)
3. Ulysses continuing to pretend to be an aged tramp long after anyone normal would have said “I’m not really an aged tramp – I am, in fact, the king and I am not happy with all this”

Eventually, of course, the “aged tramp” routine wears as thin for Ulysses as it did for everyone else several books earlier and – as is the way of Greek epic poetry – it all ends happily ever after with a massive bloodbath.

On balance, I preferred the Iliad.